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Will G.'s avatar

Love this!

Adrião Pereira da Cunha's avatar

Derrick Edward Norman’s piece feels like a wound speaking tender, aching, and unflinchingly honest. It’s not just about family; it’s about the grief of being forgotten by those who should have known you best. His words carry the weight of empty chairs, of names that no longer feel like kin, of a table that once held laughter now echoing with silence. There’s no sentimentality here only truth, raw and unvarnished. He writes from the margins, where the black sheep stands not bitter, but awake. It’s a love letter to what family could have been, and a mirror held up to what it became. And it hurts because it matters.

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